![]() It no longer had to be threaded laboriously into place instead it came in 3,600-frame cassettes that could be inserted in a couple of seconds. ![]() New cameras took film that was already 8mm wide and could therefore be run on much smaller sprockets. Super 8mm, unleashed by Kodak in 1965, sorted the problem. The tiny frames that remained could yield only pallid and blurry pictures. ![]() The dual-run process required much of the film surface to be given over to sprocket perforations. Nonetheless, miniaturisation exacted a price. By the 1950s, cameras using this system had become a fairly common sight at weddings and on beaches. To get four times as many frames from the same amount of film, 16mm stock was run through the camera twice and split down the middle after it had been developed.
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